Someone to Watch Nominee - Independent Spirit Awards
Best Narrative Feature - New Orleans Film Festival
Best Feature - Newport Beach Film Festival
Best Feature (Asteroide Award) - Trieste Science + Fiction
Best Feature - Sci Fi London Film Festival
Best Narrative Feature - Oxford Film Festival
Best Feature - Buenos Aires Rojo Sangre Film Festival
Best Science Fiction Film - Feratum Film Festival
Special Jury Award - Sarasota Film Festival
Spotlight on Women Directors Nominee - Gotham Awards
Best Director - Newport Beach Film Festival
Best New Director - Brooklyn Film Festival
Mary Shelley Award - Other Worlds Austin
Alice Guy-Blaché Award - Oxford Film Festival
Juice Award - Sarasota Film Festival
Best Actress in a Feature - Other Worlds Austin
Editing Award - Buenos Aires Rojo Sangre Film Festival
Judges Commendation Award - Boston Sci Fi Film Festival
“The Best Science Fiction Discovery of the Year.”
“A science fiction masterpiece.”
“Carré’s debut feature is utterly humane sci-fi at its most soul stirring”
“One of the most memorable independent science fiction films in the last decade.”
“Carré weaves from her ensemble amnesi-apocalypse a reflection of the human condition as philosophically compelling as it is emotionally intelligent... No film has either moved or provoked me as much this year.”
“A triumph of the creative process that will restore your faith in artistry... It will live with you for the rest of your life, cemented in your consciousness.”
“Visceral and haunting.”
“High-concept poetry.”
“The question of who we are without our memories is raised with impressive skill and depth of feeling by director Claire Carré in this superb debut...A powerful, thoughtful and moving work of science-fiction that engages the head and the heart.”
“This female-directed film breathes new life into scifi... and smartly does it on a small scale to create something just as effective, unique and powerful as many of its big budget Hollywood counterparts.”
“A joy to watch... reminds us to hold onto hope during the worst of times.”
“Like the best films of its kind, it lingers in the mind long after viewing.”
“Rarely has a first-timer tackled heady science fiction with as sure a hand as Claire Carré with Embers.”
“A promising post apocalyptic debut film that is sparse and minimal, but fascinating and hypnotic at the core.”
“Impeccably designed and thoroughly believable, Embers envisions its mass forgetting as a kind of personal apocalypse.”
“A brilliant and emotional exploration of the human condition.”
“Deft and poignant mastery. Oliver Sacks meets Ray Bradbury.”
“Carré’s clear intelligence, resourcefulness and vision combine to make this calling card tough to forget.”
“A unique take on the post apocalyptic genre.”
“Embers boldly and intelligently takes on questions of identity, love and the meaning of existence.”
“Original and intriguing… The days of new and exciting sci-fi tales aren’t entirely behind us.”
“One of the most promising new voices of American independent cinema. ”
“Filled with intense performances and breathtaking cinematography, this is the rare science fiction film that excels in its lack of exposition. An atmospheric tone poem in a post-apocalyptic wasteland, Embers captures the human condition, stripped away of everything but personality and instinct.”
“With nothing more than performances and ruins, [writer/director Claire Carré] creates a convincing and enthralling world. More importantly, she achieves that to which the best sci-fi aspires: She probes the nature of what it is to be human. She examines the quixotic nature of memory as both enlightenment and burden, moral boundary and source of pain. Each character treads a different path in this amnesiac’s Divine Comedy, and each finds a different meaning in this meaningless world. In that ambiguity, she finds tragedy, poignancy, and even optimism.”
Designed by Yen Tan